phonography

My new old gear, AT822 meets H2

I been trying out some of my kit recently and dusted off my old AT822 and paired it up with a Zoom H2. No the best sounding chain of gear but I was struck by how good the AT822 sounds even considering the significant noise it produces when working with the H2 (I’m sure it wasn’t this noisy with a Hi-MD).

The H2 in-built mics are OK for Instamatic recording and the AT822 has good stereo field where the H2 mics do not at the expense of noise for which, in most urban and similar environments, is perceptibly lost thanks to my brain helping out. A plus side on the external mic is the low cut for windy situations and the fact that the mic units in their assemblies are much more tolerant to wind than the H2 in-builts.

So, as a workable set up for Instamatic sound recording, a little bulkier and a lot less stealthy but overall, worth the effort. I think that if Sony managed to get their act together on Hi-MD usability I’d still be using my units regularly and so would many others.

phonography, sci-tech

Comparison of Zoom H2, Marantz PMD620 and Sony PCM D50

Just came across this on Youtube. It’s over a year old but has a good shoot out between these 3 units in the places they would normally get used.

I use a Zoom H2 a lot and have been considering the PMD620 as a replacement as it has similar features (AA batteries and small being my main requirements) but this video highlights some show stoppers for me – unable to adjust recording volume during recording and similar handling noise for twice the cost.

I’ll stick with the H2 for now as my most portable unit and look at some of the newer units from Tascam.